CkS artport

The present electronic digital imagination resides somewhere at the intermittent contact point between technological realism, media realism and worldly realism.

[Read more →]

Would the next Documenta chief-curator invite Jamie Oliver? I think he/she should.

[Read more →]

Ken Robinson says schools kill creativity As we leave work behind, learning how to use creative energy should be humankind next step.

[Read more →]

By António Cerveira Pinto (a.k.a. António Maria) This belongs to my modified genetic code Twist and Shout I Saw Her Standing There Love Me Do A Hard Day’s Night Help Yesterday Michelle Girl Eleanor Rigby Yellow Submarine Sgt. Pepper’s Lonely Hearts Club Band With a Little Help From My Friends Lucy in the Sky with [...]

[Read more →]

By António Cerveira Pinto (a.k.a. António Maria) NEW MUSEUM / NEW COMMISSIONS Jeremy Deller: It Is What It Is: Conversations About Iraq As part of the Three Museum Project, the New Museum and Creative Time present It Is What It Is: Conversations About Iraq, a new commission by British artist Jeremy Deller. In an effort [...]

[Read more →]

By Nuno Sacramento Shadow Curator ACP: I think your text is good but what I am missing is a pragmatic approach (proposed below) and a more structured manifesto. I think we should start by describing the current situation in artistic and economical terms, then propose what we think is the way forward, through quite practical [...]

[Read more →]

António Cerveira Pinto (a.k.a. António Maria) Art must evolve to a new collaborative and responsive “techne”. Museums should be more socially oriented to local and global communities. The present financial and economic meltdown arrived a bit earlier than I could foretell back to November 2005 (1), when I first mentioned the idea of transforming so-called [...]

[Read more →]

T. Behrens The decision to write this piece in Spanish, not in English, has shown me a way to begin it. I’ve got no memory of having drawn or painted as a little boy, but I do remember my first Latin lessons. My parents sent me – I can’t think why, since I was only [...]

[Read more →]

A CONVERSATION WITH T. BEHRENS [1] 1. António Cerveira Pinto (ACP) – what does the following list [2] means to you? SCHOOL OF LONDON ARTISTS Michael Andrews (1928-1995) Frank Auerbach (1931) Francis Bacon (1909-1992) Lucian Freud (1922) R. B. Kitaj (1932) Leon Kossoff (1926) T. Behrens (TB) – It means friends I don’t see any [...]

[Read more →]

António Cerveira Pinto (a.k.a. António Maria) I Nobody is forced to remain in “history”. But nor is it easy to exclude someone from that same “history”, only because historiography and what has conventionally become known as ‘curatorship’ have allowed themselves to be distracted, or were in fact distracted, by the logic of everyday life. We [...]

[Read more →]